Nosferatudirector Robert Eggers explains why horror deserves more respect. The new gothic horror movie follows the eerie journey of Count Orlok (Bill Skarsgård), the sinister vampire who first appeared in F.W. Murnau’s 1922 silent film. As the Count preys upon the residents of a remote seaside village,the haunted Ellen Hutter(Lily-Rose Depp) and her husband, Thomas (Nicholas Hoult), are drawn closer into the shadows of their imminent doom. Produced by Focus Features,Nosferatuhas been a hit since it released on Christmas Day.
In an interview withSlashFilm,Eggers points out a widespread antipathy to genre films, particularly horror.As a filmmaker who has dedicated much of his career to exploring the darker corners of human nature through the occult, gore, and folklore, Eggers has witnessed firsthand how horror films are often dismissed by critics and moviegoers alike. Here’s what the director had to say:
I just think that because of the history of genre films originally often being relegated to B-movies, I think it’s just something that people haven’t totally wrapped their minds around as considering something as important.
We know that it’s important to explore the darkness in humanity, sothere is great value in expressing what it is to be human with other humansby looking at the stuff that we don’t necessarily want to look at, but that can be difficult.
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Horror Still Struggles For Recognition
Robert Eggers’Nosferatuarrives after a period of reinvention for the horror genre, which has moved beyond the clichés of gore-filled slashers and one-dimensional characters of the early ’80s and ’90s, although films such asA Nightmare on Elm Street, The Thing,It,andSilence of the Lambswere surely the foundation for the richly layered horror of today. Films like Jordan Peele’sGet Outredefined horror as a medium for complex social commentary, with Peele’s thrilling portrayal of race and exploitation earning the director an Academy Award for Best Original Screenplay.
The rise of “elevated horror,” a subgenre championed by contemporary directors such as Peele, Ari Aster (Hereditary), and Eggers himself, reflects the growing sophistication of these narratives.These filmmakers use horror as a vehicle to deconstruct humanity’s darkest impulses, with an emotional and intellectual depth that could rival any drama. However, despite the genre’s evolution,horror remains largely overlooked by prestigious institutions. The Academy often fails to acknowledge the brilliant performances and technical achievements within the genre, to the dismay of fans and critics.
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WhileNosferatu’s awards potential remains to be seen, the gothic vampire movie is already being hailed as one of Eggers’ finest works, grossing $40.3 million domestically and ranking as the sixth highest-grossing horror film of the year. Eggers’ passion for horror and its potential as an art form is evident in every frame ofNosferatu. His work embodies the idea thathorror is not just about scares but about confronting the parts of ourselves we often attempt to ignore. With its chilling performances and gothic beauty,Nosferatustands as a testament to what horror can achieve.
Despite its ongoing struggles for mainstream recognition,the genre has never been more vibrant. Films likeNosferaturemind us of horror’s unique ability to blend entertainment with profound emotional and psychological exploration. Eggers’ call for respect isn’t just a defense of his work—it’s a rallying cry for a genre that has long deserved its place among cinema’s most celebrated.
Nosferatu
Cast
Nosferatu is a remake of the 1922 silent film of the same name from director F. W. Murnau. Robert Eggers is crafting his own version of the story for the reboot as writer and director, with Bill Skarsgård stepping into the shoes of Count Orlok. Nosferatu tells the tale of a young woman who falls victim to a vampire utterly infatuated with her.
