It would be no surprise to see a picture ofCharlie Chaplinnext to the word comedian in the dictionary, as more so than any other actor, director, writer, or filmmaker, his movies have left an undeniable mark on cinema and pop culture in general. Best known for his timeless characterization of the Tramp, his signature toothbrush mustache, and his incredible slapstick and physical comedic talents, Chaplin encapsulated the silent movie era and remained a vital figure after the sound revolution. Through thoughtful and hilarious movies, Chaplin pushed filmmaking into new territory and became a true icon in the process.
As the man behind some of thegreatest silent movies ever made, whose work boasted incredible social and political relevance, Chaplin took the world by storm to become one of the most significant names in the movie industry. FromThe Gold RushtoThe Great Dictator,Chaplin’s filmography has boasted some of the most influential movies ever produced. Although his later years were fraught with controversy due to McCarthyism and accusations of being a communist, with the power of hindsight, Chaplin is remembered as one of the most creative, daring, and uncompromising filmmakers the world has ever seen.

A King in New York
After an impressive career that saw Charlie Chaplin become one of the most notable names in Hollywood, the English performer began to experience controversy in the United States. In the wake of McCarthyism, Chaplin was accused of being a communist. Following his outright political filmThe Great Dictatorin 1940, Chaplin became more open in supporting political causes and various Soviet-American friendship groups, leading to his exile from the United States. In this context, Chaplin producedA King in New York, presenting a satirical view of American politics and society.
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A King in New Yorkwas Chaplin’s final leading role as he portrayed King Shahdov, a European monarch who became an accidental TV celebrity in America before wrongly getting accused of being a communist. This clearly autobiographical film showcased Chaplin’s incredible satirical talents but divided audiences who, at the height of the Cold War, were fearful of its topic. Looking back,A King in New Yorkdoes not stand up against Chaplin’s very best work. Still, it was an important document of his personal trials and a fascinating insight into his perception of American society.

A Woman of Paris: A Drama of Fate
Cast
A Woman of Paris: A Drama of Fate is a silent drama directed by Charlie Chaplin featuring Edna Purviance as Marie St. Clair. The film tells the story of a woman who becomes involved with a wealthy bachelor while dealing with the emotional fallout from a past relationship. Revolutionary at the time for its straightforward and mature portrayal of complex romantic and social themes, it marked Chaplin’s pivot away from comedy.
Charlie Chaplin only made a brief, uncredited appearance inA Woman of Paris, his only true drama film, which he wrote, directed, produced, and scored himself. As the story of a woman torn between love and comfort with her former fiance, the aspiring artist Jean Millet,A Woman of Parisshowcased Chaplin’s underappreciated talent for non-comedic work. By 1923, Chaplin was already a major star, and audiences expected to see more of his classic slapstick antics, but they were disappointed by the straightforward drama ofA Woman of Paris, meaning the film was badly received at the time.

With the power of context and knowing how well Chaplin would later combine drama and comedy in works likeLimelight, it’s clear thatA Woman of Pariswas an important moment in Chaplin’s artistic journey. With intense realism and fascinating insight into the nature of marriage and commitment,A Woman of Pariswas an underappreciated and enjoyable change of pace for Chaplin. Had the film been better received at the time of its release and comedians were afforded the freedom to be more complex in theirmovies during the 1920s, Chaplin’s early work could have been much different.
The Circus
The Circus, directed by Charlie Chaplin, follows the tramp Charlie as he joins a circus as a handyman. Rising to become the show’s accidental star, he falls for the circus owner’s stepdaughter, navigating comedic trials amid the world of spectacle and performance.
WhenThe Circuswas released in 1928, Charlie Chaplin’s character of The Tramp had become one of cinema’s most enduring icons.The Circuswas a silent rom-com that saw The Tramp hired as a circus clown, only to discover that he can only be funny unintentionally. It was a real treat for viewers who had enjoyedThe Gold Rushand hoped to witness similar antics from Chaplin’s most famous character. While it was not quite as poignant and thematically rich as its predecessor, it showcased that nobody could do physical comedy quite like Chaplin.

The Circuswas produced amid personal struggles in Chaplin’s life as his mother died, he was in the midst of a bitter divorce from his second wife, Lita Gray, and he found himself in a conflict with the Internal Revenue Service regarding payment of back taxes. Despite these issues, Chaplin made a timeless classic that used the idea of circus clowns to represent his own relationship with celebrity culture and audience expectations. As Chaplin’s last film before sound started to take over Hollywood,The Circussignaled the end of an era for Chaplin’s career.
Charlie Chaplin returned to more dramatic territory with the comedy-dramaLimelight, a film that divided critics at the time but has since become regarded as one of his most important and personal works. Starring Chaplin as Calvero, a washup comedian who saves a suicidal dancer (Claire Bloom) from killing herself, the movie showcased how the damaged pair were able to find meaning and purpose through one another. As a sentimental look at the world of show business,Limelightaddressed Chaplin’s own fading popularity at the timeand avoided the political content that made his previous film,Monsieur Verdoux, so controversial.

As Chaplin’s last truly great film,Limelightwas also notable for featuring the only onscreen collaboration between Chaplin and his fellow silent movie era icon, Buster Keaton. Chaplin and Keaton thrilled audiences by coming together for the final musical number, and it was an exciting way to bookend Chaplin’s career as a Hollywood filmmaker. Following the release ofLimelight, Chaplin would be exiled from the United States and did not return until 1972 to accept an Honorary Award from the Academy of Motion Picture Arts and Sciences.
Monsieur Verdoux
Monsieur Verdoux is a dark comedy film directed by and starring Charlie Chaplin. The film chronicles the life of Henri Verdoux, a former bank clerk who turns to marrying and murdering wealthy women to support his family after losing his job. Released in 1947, the film offers a commentary on the moral complexities and economic struggles of post-World War II society, showcasing Chaplin’s transition from silent to sound cinema.
This dark comedy saw Charlie Chaplin playing a bigamist wife killer who was inspired by the real French murderer Henri Désiré Landru, also known as Bluebeard of Gambais. This story of a fired bank teller saw Chaplin play Monsieur Henri Verdoux, a man who solved his financial woes by marrying wealthy widows and murdering them one by one. While this appeared to be a perfect crime, years later, Verdoux was recognized by the family of one of his victims and stood trial for murder and was eventually executed in Chaplin’s darkest movie ending.

This black comedy was Chaplin’s first feature film not to include a character who at least resembled his famous Tramp and had an unapologetically dark tone, as Verdoux felt justified in his horrible crimes. As a strong critique of American society, capitalism, and moral hypocrisy,Monsieur Verdouxhighlighted Chaplin’s strong opposition to a world consumed by money, greed, and power. A strong contributor to the accusations that Chaplin was a communist,Monsieur Verdouxwas underappreciated at the timebut has since gained widespread acclaim.
5The Kid (1921)
Charlie Chaplin as The Tramp
As Charlie Chaplin’s first feature-length film as a director,The Kidrepresents the true beginnings of the comedian’s cinematic legacy, and it was a testament to his skill that he knocked it out of the park on the first try. With the Tramp as the leading man and a seven-year-old Jackie Coogan as his adopted son and sidekick, the most impressive thing aboutThe Kidwas how well it blended humor and heartfelt sentimentality. Although audiences loved to laugh at the unfortunate antics of the Tramp, they also rooted for him.
The Kidmade Coogan one of Hollywood’s first child stars, and he would go on to achieve great success inOliver Twistand in his adulthood as Uncle Fester inThe Addams Family.The Kidpushed silent filmmaking into new levels of artistry and has remained a beloved classic with an impressive100% critics score on Rotten Tomatoes. As a touching comedy and riveting piece of social commentary,The Kidsignaled Chaplin as a filmmaking genius far beyond the realms of simple slapstick sketches.

The Gold Rush
The Gold Rush, directed by Charlie Chaplin, follows a gold prospector’s quest for fortune in the harsh conditions of Alaska. The film explores his challenges and comedic adventures as he endeavors to survive the elements and woo a dance hall girl.
The greatness of Charlie Chaplin came not just from his comedic skill but also from his knowledge that comedy and tragedy had more in common than differences. This idea was central to the success ofThe Gold Rush, which, when its concept was laid out on paper, sounded truly harrowing but, in execution, was fantastically hilarious.The Gold Rushstarred Chaplin as The Lone Prospector, who was essentially the same character as the Tramp, facing sickness, hunger, cold, and loneliness in a desperate attempt to strike big during the Klondike Gold Rush in Alaska.

The Gold Rushsaw the Prospector face the harshest conditions of the Alaskan landscape and even risk being attacked by a grizzly bear. What’s most striking was howThe Gold Rushblended the poetry of perseverance with the hilarity of human error. More so than any other film,The Gold Rushencapsulated the best of Chapin’s silent movies and was an ambitious, character-driven narrative that has remained a strong contender for being one of the funniest movies of all time.
The Great Dictator
The Great Dictator is a satirical comedy-drama film that tells the story of Adenoid Hynkel, a parody of Adolf Hitler, and a lookalike Jewish barber. Released in 1940, the film stars Charlie Chaplin, who also wrote and directed the project, as both Hynkel and the barber, in a commentary on the rise of fascism in Europe.
As one of thebest WWII movies made while the war was still active,The Great Dictatorwas Charlie Chaplin’s satirical takedown of Adolf Hitler. As an anti-fascist black comedy, Chaplin had an outright political agenda when he made this movie, as he sought to mock and ridicule the most infamous man ever to sport Chaplin’s signature toothbrush mustache. While it’s true Chaplin and Hitler may have had some appearance similarities, their politics could not be further apart asThe Great Dictatorspread its message of acceptance, hope, and understanding.

As Chaplin’s first true-sound movie, it was thrilling to see that once he finally opted to open his mouth and speak, he had something vital and urgent to say.Chaplin usedThe Great Dictatorto undermine fascism and antisemitismwhile also making a hilarious film that encapsulated American and European society’s growing concern about the threat of fascism. While Chaplin later said if he had known about the true horrors of the Holocaust, he would never “have made fun of the homicidal insanity of the Nazis” (viaBBC),The Great Dictatorstands as an important document of politically charged filmmaking.
City Lights
Charlie Chaplin’s tramp falls for a blind flower girl facing eviction. Despite repeated failures to help, a chance encounter with a drunken millionaire offers hope. Rewarded for his heroism, the tramp can finally alter the flower girl’s fate, in this heartfelt tale of love and resilience on the city streets.
The outrageous humor and poignant sentimentality of Charlie Chaplin’s unique style were never better than inCity Lights, a romantic comedy that represented all that was great about his Tramp character. By showing the Tramp’s love story with a blind girl and his attempts to raise money for her and her poverty-stricken family,City Lightsbecame a story of perseverance and fortitude in the face of great hardship. With the underlying threat of eviction for the young girl’s family,City Lightsbalanced comedy, drama, and Chaplin’s signature touch of social commentary.
More so than any other film,City Lightsshowcased Chaplin’s ability to make audiences laugh and cry equally. Produced just as sound was starting to take over, this was a silent movie triumph that hinted something beautiful and ethereal was being lost with the advent of talkies and that it’s a shame the two forms weren’t able to exist side by side in modern times. From the Tramp’s encounters with the drunken millionaire to the famous boxing match scene,City Lightswas a beautiful, funny, and timeless film.
Modern Times
The Little Tramp, played by Charlie Chaplin, grapples with the challenges of the industrial age, moving from one job to another while facing numerous setbacks. Along the way, he meets a young homeless woman, and together they try to navigate and survive the harsh realities of the Great Depression.
In a filmography packed with iconic and timeless movies,Modern Timesstood out as Charlie Chaplin’s magnum opus. Featuring some of the Tramp’s most hilarious sequences as he played an exploited factory worker literally caught in the machinery of capitalism,Modern Timeslamented the problematic working conditions of factory employees during the Great Depression.Modern Timespowerfully used visual comedy to explore Marxist ideasaround the theory of alienation, the exploitation of the proletariat, and the grim conditions of industrial America.
A thoughtful critique of anxieties around modernity and the dark consequences of money-hungry capitalists,Modern Timeswas Chaplin’s first outright political film and contributed to his later exile from the United States amid McCarthyism. What’s most impressive aboutModern Timesis that even though it was made in the 1930s, the movie still feels relevant and has dated incredibly well compared toCharlie Chaplin’searlier work. As capitalism has continued to negatively impact the livelihoods of working-class people,Modern Timesis perhaps even more relevant today than it was back in 1936.